Soft gallery white
Use when the artwork carries strong internal colour and needs clean air around the frame.
Soft gallery white
#FFFAFA
#FFFAFA
Collection provenance / room palette guide
Oxidized memory
A collection provenance for animal forms rebuilt as metal, fossil, chrome, and layered memory: a guide for rooms that need quiet force and sculptural restraint.
The collection statement
Animal memory translated into metal, strata, and speed.
Oxidized Memory rebuilds animals as if memory had material weight. Stag, raptor, and trophy forms become chrome, bone, bronze, celadon, slate, and terracotta strata. The works feel fossilized and aerodynamic at once: nature translated through metal, speed, and artifact.
These pieces work best in rooms that give sculptural forms space. Pale stone brings out platinum surfaces, celadon-grey supports the green voids, and umber plaster warms the bronze and terracotta without making the work feel rustic.
Room pairing system
Wall colours that let the work breathe.
Warm stone
A steady neutral for collections with rose, brass, ochre, cream, or terracotta notes.
Warm stone
#D9D3C8
#D9D3C8
Deep archival green
Complements botanical, black-ground, and high-contrast work without drifting into a plain black room.
Deep archival green
#123F2B
#123F2B
Bone plaster
Useful for pieces with ivory, white, pearl, pale animal, or cloud-like highlights.
Bone plaster
#ECE6DB
#ECE6DB
Charcoal umber
For moody rooms where saturated colour should glow instead of shouting.
Charcoal umber
#433A37
#433A37
Sage mineral
A calm green-grey that supports pink, red, violet, and blue work without copying their colours.
Sage mineral
#B8C1B0
#B8C1B0
Works inside the provenance
Animal memory rebuilt as material and speed.
Heathen
Bone-white skin stretched over a raptor's beak meets the layered architecture of feathers that have fossilized into scales , this creature exists at the exact moment evolution changed its mind. The body curves through terracotta flush and faded rose, banded in oxidized champagne, each layer peeling back to reveal another material logic underneath. It is not a bird. It is not a reptile. It is the argument between them, frozen mid-sentence. Whatever you thought nature was bound by, this image quietly revokes the contract.
Placement cueLiving room / balanced contrast
Velocity Meridian
A mid-leap stag rendered in polished platinum skin carries its body like a vessel split open, revealing horizontal strata of dusty rose, slate navy, and oxidized blush that ripple across its torso as if velocity itself has layers. The antlers hold their raw bronze warmth against a cool celadon void that refuses to compete. This is not an animal. It is the anatomy of escape, cross-sectioned at full speed, showing that whatever lives inside motion is more organized, more ancient, and more aching than the outside ever lets on.
Placement cueOffice / graphic focus
Bloodline Chrome
Mounted like a trophy but constructed like a confession, this sculpted cervid head refuses the logic of either category. Its surface reads as folded metal sheet: brushed platinum planes interrupted by terracotta flush along the ears and muzzle, as if raw biology keeps bleeding through the fabrication. The ribbed horns arc with the precision of architectural load-bearing curves, not grown but engineered. What looks like preservation is actually exposure. You cannot tell whether something wild was made into an object, or whether an object is trying to become something alive.
Placement cueDining room / sculptural colour