Conventional Art · British Columbia

Prints from $45 to $8,000

A new era of art needs a new kind of house.

Conventional Art is a house for work made with AI. We direct it, argue with it, and throw away nearly everything it gives us. What survives gets printed on heavy cotton paper and sent out properly. The studio began with one artist. It is being built for many.

Conventional Art archive frame one
From the archive
Conventional Art archive frame two
Print proof
Conventional Art archive frame three
In a room

In plain terms

What this is

01

The work is authored

Every piece is directed by an artist, not pulled from a library. The instrument is new. The judgement behind it is not.

02

We handle the making

Pigment ink on heavy cotton paper, printed to order and shipped worldwide. The kind of print a framer expects to see.

03

Editions stay honest

Limited editions are capped at 75 per size. Open editions stay available.

Why the name

Every medium was once the wrong way to do it.

People are still arguing about art made with a machine. That argument is not new. It has run before, more or less word for word, and it always ends the same way.

Photography A chemical trick. Not a picture. 1910s
Oil paint Cheating. Real painters used fresco. 1500s
The synthesizer Not a real instrument. 1980s
Type on a computer The end of proper lettering. 1990s
Art made with a machine The tool did the work.

We took the name early, on purpose, not to win the argument but to date it.

The empty box is the bet.

The object

What you actually get

No mystery. Here is the thing itself.

Paper
310gsm cotton rag. Matte, slightly toothy, no shine.
Ink
Pigment, not dye. Rated to hold its colour for a lifetime indoors.
Sizes
From 8 by 16 inches up to 40 by 60, five feet on the long edge.
Edition
Limited editions are capped at 75 per size. Open editions are uncapped and print on demand.
Packing
Small prints ship flat and boarded. Large ones ship rolled in a tube.
Framing
Choose framed or unframed at checkout: gallery canvas, framed canvas, framed fine art print, or an unframed rolled print. Only the fine art poster always ships unframed.
Archive production image one
Paper detail
Archive production image three
Hung

The part nobody sees

We throw away most of what we make.

We rendered 108706 possibilities. We released 238. Everything else failed the wall test: the point where a picture stops working once it is large, printed, and living in a room you walk past every day.

108706 machine iterations mined

238 released to the archive

Anyone can generate a hundred thousand pictures now. That is not the hard part.

Throwing away 99.8 per cent is the whole job.

How it is made

How a picture gets made

Five steps. The third one is where the job actually happens.

  1. Start

    A collection begins with a mood and a room it has to live in.

  2. Make

    I push it through hundreds of versions. Most of them are dull.

  3. Cut

    We throw nearly all of them away. This is the part that takes years to learn.

  4. Test

    The survivors get printed small, pinned to a wall, and looked at for a week.

  5. Keep

    What still works after that week goes into the shop.

Archive production image two
The studio

Who makes it

Endy Kahlo, eighteen years in

18 years in design before any of this began

Conventional Art was founded by Endy Kahlo. Before this: brand identities, books, packaging, print production, art direction.

The house now opens to other artists working the same way. The instrument widened what one person can make. It never handed over the judgement.

IdentityBooksPackagingPrintArt directionAI

Have a look at the work.

A collector does not live with a production method. They live with the feeling an artwork keeps producing: the pause at the doorway, the room pulled into focus, the detail still revealing itself years later.

See the work
Prints from $45Limited and open editions · Shipped worldwide