$165CAD
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No. 1911
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Botanical
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Archival pigment print
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Screen → Print
Screens emit light; printed surfaces reflect it. Paper, canvas, ink, glazing, and the light in your room can make colour and contrast appear slightly different from a backlit display. The artwork and room previews shown here are digital renderings for comparing composition and scale. They are not photographs of finished prints.
Why this work / Foxglove in Ultramarine
Foxglove in Ultramarine
From the Digital Botany Series
Against an electric field of ultramarine, digitalis spires ascend with pharmaceutical precision. The halftone matrix fractures botanical certainty—each bell-shaped bloom oscillates between photographic memory and pixelated prophecy, suspended in a liminal space where nature submits to mechanical reproduction.
Acidic chartreuse hemorrhages through magenta shadows, the palette compressed into a triadic fever dream. Surface texture mimics vintage offset printing, each dot a deliberate imperfection that speaks to our mediated relationship with the natural world. The grain creates optical vibration against the saturated blue ground, transforming therapeutic blooms into psychoactive totems.
This is botanical illustration for the post-internet age—where garden photography becomes pop art archaeology. The foxglove's inherent toxicity mirrors our contemporary condition: beauty processed through digital filters until it becomes both remedy and poison. In a world where we experience nature primarily through screens, this work asks what authenticity means when everything is already a reproduction.
Artwork Details
| Medium | Archival Giclée on Hahnemühle Photo Rag Ultra Smooth |
| Dimensions | 24 × 36 inches (61 × 91 cm) |
| Edition | Open edition |
| Palette |
CONVENTIONAL ART · Art, unconventionally human
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Lush, nature-driven works exploring flora, fauna, and the organic world — from delicate botanicals to wild, overgrown compositions.
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