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Pink Slip holds vulnerability and threat together.
Ground chuck sits in a porcelain bowl like a peace offering nobody requested, while a ring of golden revolvers hovers just above floppy ears and glossy snouts. Dried blood pink coats the backdrop, turning slaughter into decor, turning decor into a punchline. The animals do not flinch. They eat. That numbness is the whole indictment, comfort food staged as capital punishment, complicity served with a manicure. Nobody here pulls the trigger yet. Nobody here is safe either.
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CONVENTIONAL ART / Art, unconventionally human
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