$75 - $675CAD
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Viewing guide
No. 5495
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01Surface
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02Format
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03Scale
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Elsewhere
Studio record / artwork credits
Availability
17 selectable configurations
Format
Archival pigment print
Studio position
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Artwork 5495 / Elsewhere
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Cabin Pressure
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AVAILABLE
LIVE VARIANT STATUS
Object record
The work, in detail.
PHYSICALLY VERIFIED ✓Selected Object
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Screen → Print
Screens emit light; printed surfaces reflect it. Paper, canvas, ink, glazing, and the light in your room can make colour and contrast appear slightly different from a backlit display. The artwork and room previews shown here are digital renderings for comparing composition and scale. They are not photographs of finished prints.
Why this work / Cabin Pressure
Cabin Pressure
Nobody is in these seats and that is the whole point. The rows sit empty in a blue so deep it reads like dusk inside a metal tube, while the fire climbs the headrests like it bought a ticket. No alarms, no bodies, no smoke alarms screaming. Just the ordinary architecture of economy class rendered in the exact moment before everyone stops pretending turbulence is the worst thing that can happen up here.
| Palette |
CONVENTIONAL ART / Art, unconventionally human
This collection is built as a coherent visual world rather than a loose category.
Available
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See what happens around it
Compare the work with the furniture, then notice the wall around it. These scenes illustrate placement; use the measured view above and your own wall measurements to check fit.
In the room / What to look for
The artwork image is vertical. Try it within a narrow wall interval or above a compact piece of furniture; leave enough space for its height to read. Available print proportions depend on the selected variant.
From the doorway, notice the strongest light and dark areas. From your usual seat, notice the detail. Both views are part of the decision.
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Collection context
Continue inside Elsewhere
ELSEWHERE explores the unreliable geography of memory. The collection began with personal travel recollections recorded as loose notes rather than photographs. Fragments of architecture, colour, weather, landscape and atmosphere were later interpreted through generative systems and shaped through repeated direction and selection....
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